2:00 PM - Showcase 1 - 20 min
The Strolls
- 1Kick
- 2Snare
- 6Overhead 1
- 7Overhead 2
- 8Bass DI
- 9Guitar amp 1
- 10Guitar amp 2
- 13Vocal 1
- 14Vocal 2
Standard BJMF Patch
Shared channel order for every set.
| Ch | Label | Role |
|---|---|---|
| 1 | Kick In 91 | src 1; OFF; fader +0.7 |
| 2 | Sn Top | src 2; OFF; fader -1.2 |
| 3 | Snr BOT | src 3; OFF; fader -2.1 |
| 4 | Rack | src 4; OFF; fader -6.4 |
| 5 | Mid | src 5; OFF; fader -6.7 |
| 6 | Floor | src 6; OFF; fader -6.6 |
| 7 | OHL | src 7; OFF; fader -1.2 |
| 8 | OHR | src 8; OFF; fader -0.8 |
| 9 | Bass | src 9; OFF; fader -1.2 |
| 10 | Gtr1 | src 10; OFF; fader -5.9 |
| 11 | Gtr2 | src 11; OFF; fader -6.9 |
| 12 | Gtr3 | src 12; OFF; fader -oo |
| 13 | Bassmon | src 9; OFF; fader -oo |
| 14 | DI2 | src 14; OFF; fader -oo |
| 15 | DI3 | src 15; OFF; fader -oo |
| 16 | DI4 | src 16; OFF; fader -oo |
| 17 | Wireless1 | src 17; OFF; fader -oo |
| 18 | Wireless2 | src 18; OFF; fader -0.3 |
| 19 | Wireless3 | src 19; OFF; fader -oo |
| 20 | Wireless4 | src 20; OFF; fader -oo |
| 21 | wrls sax | src 21; OFF; fader -oo |
| 22 | wrls horn | src 22; OFF; fader -oo |
| 23 | 57 1 | src 23; OFF; fader -oo |
| 24 | 57 2 | src 24; OFF; fader -oo |
| 25 | HiHat | src 25; OFF; fader -7.1 |
| 26 | blank | src 26; OFF; fader -oo |
| 27 | Ambience | src 27; OFF; fader -oo |
| 28 | Ambience | src 28; OFF; fader -oo |
| 29 | ipod | src 37; ON; fader -8.1 |
| 30 | ipod | src 38; ON; fader -8.1 |
| 31 | Mc1 | src 31; ON; fader -1.7 |
| 32 | Mc2 | src 32; ON; fader -1.1 |
M32 Drive Scene Diff
Compared mounted drive scenes against Bjmf 26.scn. Focus: soft patch, ON/mute posture, and monitor sends.
Load bias
Bias patching toward Bjmf 26.scn. The act scene files are named copies: no soft-patch, channel ON, or monitor-send differences from the start scene were found.
825changed command paths vs prepared base
0act scenes with monitor-send changes
4channels stored ON in start scene
13finite-fader channels stored OFF
Stored ON: ch29 ipod, ch30 ipod, ch31 Mc1, ch32 Mc2. Channels 1-28 are stored OFF in the start scene, many with finite fader values.
Scene-by-scene: 0 total command changes after ignoring scene headers/names across all mounted act scenes.
Non-infinite monitor sends in Bjmf 26.scn
- Bus 02: ch13 Bassmon ON -19.0; ch18 Wireless2 ON 0.0
- Bus 03: ch11 Gtr2 ON -16.0 +0 EQ-> 0; ch13 Bassmon ON -18.0 +0 EQ-> 0; ch18 Wireless2 ON -0.3 +0 EQ-> 0
- Bus 04: ch11 Gtr2 ON -21.5; ch18 Wireless2 ON -11.5
- Bus 05: ch10 Gtr1 ON -18.0 +0 EQ-> 0; ch11 Gtr2 ON -16.5 +0 EQ-> 0; ch13 Bassmon ON -18.0 +0 EQ-> 0; ch18 Wireless2 ON -12.5 +0 EQ-> 0; ch22 wrls horn ON -57.0 +0 EQ-> 0
- Bus 07: ch18 Wireless2 ON -1.5 +0 EQ-> 0; ch19 Wireless3 ON -6.8 +0 EQ-> 0
- Bus 14: ch2 Sn Top ON -19.0; ch3 Snr BOT ON -19.0; ch21 wrls sax ON -18.5; ch22 wrls horn ON -18.0
- Bus 15: ch17 Wireless1 ON -7.0 +0 POST 0; ch18 Wireless2 ON -6.0 +0 POST 0; ch19 Wireless3 ON -5.0 +0 POST 0; ch20 Wireless4 ON -6.0 +0 POST 0
- Bus 16: ch17 Wireless1 ON -9.0; ch18 Wireless2 ON -6.8; ch19 Wireless3 ON -6.3; ch20 Wireless4 ON -6.0
Scene-by-scene deltas vs start
| Scene | File | Soft patch | ON | Mon sends |
|---|---|---|---|---|
| The Strolls | Strolls.scn | 0 | 0 | 0 |
| Izzy Savides | Izzy.scn | 0 | 0 | 0 |
| Tripsitter | Tripsitter.scn | 0 | 0 | 0 |
| Belle Vista | Blvista.scn | 0 | 0 | 0 |
| Mistrophia | Mistrphia.scn | 0 | 0 | 0 |
| Hammerhedd | Hammer.scn | 0 | 0 | 0 |
| Mystik | Mystik.scn | 0 | 0 | 0 |
| THREEGON | 3Gon.scn | 0 | 0 | 0 |
| Taranis | Tyranis.scn | 0 | 0 | 0 |
| Cabin Fever | Cabin.scn | 0 | 0 | 0 |
| Exit 122 | 122.scn | 0 | 0 | 0 |
| Billy Schaumann | Billy.scn | 0 | 0 | 0 |
| Claire-Mckenna | Claire.scn | 0 | 0 | 0 |
All Bands
Show order, set by set.
2:30 PM - Showcase 2 - 20 min
Izzy Savides
- 1Kick
- 2Snare
- 3Hi-hat
- 4Rack tom
- 5Low tom
- 6OH left
- 7OH right
- 8Bass amp/DI
- 9Guitar amp/DI
- 11Keys amp/DI
- 13Vocal
3:00 PM - Competition 1 - 30 min
Tripsitter
- 1Kick mic
- 2Snare mic
- 3Hi-hat mic
- 4Tom 1
- 5Tom 2
- 6OH 1
- 7OH 2
- 8Bass
- 9Guitar
- 13Vocal
3:40 PM - Competition 2 - 30 min
Belle Vista
- 1-7Standard BJMF drum patch
- 8Bass DI
- 9Guitar mic
- 10Guitar XLR SL
- 11Keys L / submix
- 12Keys R
- 13Vox R
- 14Vox C
- 15Vox L
4:20 PM - Competition 3 - 30 min
Mistrophia
- 1-7Standard BJMF drum patch
- 8Bass
- 9Guitar 1
- 10Guitar 2
- 13Microphone 1
- 14Microphone 2
- 15Microphone 3
5:00 PM - Competition 4 - 30 min
Hammerhedd
- 1-7Standard BJMF drum patch
- 8Bass amp DI
- 9Guitar amp
- 11Nord DI
- 12Moog DI
- 13Guitar vocal
- 14Bass/keys vocal
- 15Drum vocal
- 17Tracks DI
- 19Wireless sax receiver
5:40 PM - Showcase 3 - 20 min
Mystik
- 8Bass DI
- 9Guitar 1 amp
- 10Guitar 2 amp
- 11Keys DI
- 13Vocal 1
- 14Vocal 2
6:10 PM - Competition 5 - 30 min
THREEGON
- 8Bass amp
- 9Guitar amp
- 11Keys DI
- 13Main vocal
- 14Bass vocal
- 15Guitar vocal
6:50 PM - Competition 6 - 30 min
Taranis
- 1Kick - from splitter
- 2Snare - source input 3
- 4Tom 1 - source input 4
- 5Tom 2 - source input 5
- 6OH
- 8Bass XLR
- 9GTR L - Quad Cortex
- 10GTR R - Quad Cortex
- 11Track L
- 12Track R
- 13Lead vocal
7:30 PM - Competition 7 - 30 min
Cabin Fever
- 1-7Standard BJMF drum patch
- 8Bass
- 9Guitar / lead vox guitar
- 10Second guitar
- 13Center VOX
- 14SL BG VOX
- outXvive U4 IEM line out from console
8:10 PM - Competition 8 - 30 min
Exit 122
- 1-7Standard BJMF drum mics
- 8Rack output 4 - SR bass / Ampeg
- 9Rack output 2 - center guitar / Kemper
- 10Rack output 3 - SL guitar / Kemper
- 11Rack output 7 - backing tracks L
- 12Rack output 8 - backing tracks R
- 13Rack output 1 - center vocal wireless
- 14Rack output 5 - SR vocal
- 15Rack output 6 - SL vocal
8:50 PM - Showcase 4 - 20 min
Billy Schaumann
- 8Sax clip-on; tenor/alto shared
- 9Guitar amp
- 10Trumpet clip-on
- 11MIDI bass keys DI
- 12Piano DI mono
- 13Lead vocal
- 14BGV
9:20 PM - Guest Artist - 20 min
Claire-Mckenna
- 13Vocal
- 11Acoustic DI
- 16 or 30MC / guest handoff